Cold weather, foggy mind...

My time in the studio as already slowed down due to cooler to down right cold temps.  A month earlier than what I expected.  This year has been a good year thus far.  (no hospital stays! yeah babee!)

My goals have been a guiding force for the year and I've held to them even though I didn't achieve everything I set out to do.  I move slow but steady.  I know at least one thing I need to let go of for next year....being a office holder in the artists' group at Mellwood.  Artists are hustling trying to make art and hold jobs and attend to family and health and studio turn over is too frequent to keep momentum going on projects.

This was a year I immersed myself in reading marketing books geared at artists.  I kept thinking I was missing something in the Access2Market program with its emphasis on wholesaling.  Two or three of the books I've read take a tone of slight arrogance and too expert-y which comes across to me as a 'hustling books mentality instead of living what is written about'. 

The exception, the one that reads like real talk, is The Artist's Guide by Jackie Battenfield.  I don't regret reading the other books which I'll not name.  I seem to constantly need the affirmation that I do not want to be a "business" in the strictest sense of the term, yet I'm serious (as defined by absorbed) with creating with cloth and I'm joy-filled when someone even inquires about my art and when someone purchases a piece I really can't feel my feet on the ground!

Kore Art Gallery

 



Most of what I do for the co-op is online and my winter hours will reduce my gallery sitting to 4-5 hours each week and about 8-10 hours in the studio...maybe 15 in a good week.  My body started to rebel a few weeks ago.

My major focus for next year will be the Novel quilts...at least starting the first one and possibly continuing with a smaller series like the Poetry quilts or paper quilts.  I'd like to take on 2 or 3 workbooks...but I always fall off the wagon about 1/4 of the way into the year.  My real challenge is not to fall into the rabbit hole of surface design.

I returned to the book Spirit Taking Form tonight.  Need to slow the train in my mind and find artistic clarity.

Peace,

Deborah Stanley, Mellwood Artist Interview

Joyful Celebration (top) and A New World (bottom) Artist holds image copyright on all images in this post.

What I do:  I work primarily with polymer clay.  I’ve dabbled in other mediums such as photography and acrylics, but when I was introduced to polymer clay, I fell in love with it.  I’ve always been fascinated by marbled colors and how colors stimulate the senses and take you on a mental journey to anywhere you want to go.  I love working with my hands and manipulating color swirls and patterns.  It is a passion of mine to explore the limitless and innovative ways to express myself through this type of abstract art.  I currently create 2 and 3 dimensional pieces, as well as original designs for necklaces and earrings.  Since discovering polymer clay, I have used glass, ceramics and wood as my “canvas” and let the viewer’s mind wander wherever the swirls of color take them.  However, I have recently developed an interest in working more recognizable figures and objects into my designs with the purpose of expressing my personal views on issues such as freely expressing joy and hope for racial harmony through my newest works “Joyful Celebration” and “A New World”.

Artistic Expressions, Deborah's Mellwood Gallery

Why I do it:  Like most artists, I have a need to find ways to express myself.  I have found that making extra money with my art is great, but pales in comparison with the satisfaction and “therapy” that I receive from the creative process itself.  My art has been a great refuge for me when my mind seems overwhelmed with stresses that I have no control over.  You can’t put a value on a means of expression and healing that art provides to me.

 What upcoming changes do you anticipate for Artistic Expressions?

Artistic Expressions (A-173) is moving into The Kore Gallery (A-117), which is a more visible and accessible location, as part of a joint venture with three other artists. (both are located at Mellwood Arts & Entertainment Center)

Deborah w/ her work inside The Kore Gallery

a bud vase by the artist

How do you define success for yourself as an artist?

By continually growing and finding new and more innovative ways to express myself through art.  Basically, if I continue to grow and am happy with my art, then that is success to me.

What suggestions do you offer for making Mellwood an even more attractive place for artists to work?

Create better signs to direct patrons to the studios.  Many artists feel hidden, especially on Trolley Hops and during big events.  Promote the diversity and number of artists that are at Mellwood.

 

polymer clay necklace

 

Artistic Expressions on Etsy

Artistic Expressions at Shutterfly

 

Fred Miller, Visions in Metal

Fred is another Mellwoodian artist.  He is located in Bldg. B #302.

Karen Davis:  Tell us what you do and why?

Fred Miller:  What? My art is metal sculptures.  I primarily use aluminum.  I buy the aluminum in sheets, cut the needed pieces, bend and fit them, weld them together using a TIG process, and then finish them with a wire wheel to give a rough texture or with a sanding disc to give a smoother texture with movement.

Why? Numerous types of relationships between both natural and manmade objects may encourage introspection.  By their very nature, these relationships have some impermanence about them.  While a sense of impermanence is minimal in very stable relationships such as that between a house and its foundation, others show a very pronounced uncertainty, kindle a meditative spirit, or induce an emotional reaction.  Contemplating the many possibilities of emotion or change, especially present in tenuous or precarious relationships, gives me a strong sense and appreciation of the present.  It is this feeling that I instill in my sculptures.  It makes life interesting, gives life value and induces in me a kind of meditative appreciation for the intrinsic worth of relationships, now, at this moment in time.

On the flip side, I also enjoy happy pieces that simply make me smile or feel joyous when I see them. Doesn't everyone like to feel happy?

KD:  What other mediums have you worked in besides the aluminum?  And if so, was the answer to "why" the same for those mediums?  What I'm curious about is whether there is something inherent about aluminum and your processes that induce the meditative/emotional reactions around impermanence and feelings of joy that you mentioned.

FM:  I have worked in other mediums.  I very much enjoy balancing rocks on top of each other so that they look like they will fall (have attached a picture of a few of them).  However it is not something that I want to do as a continuing art focus.  I have also worked in wood but for some reason I enjoy metal the most.  Welding is a very meditative process requiring constant and extreme focus.  When welding a long "bead" I can easily get lost in time.  It is only precarious in that it is easy to make a mistake and aluminum is regarded as far more difficult to weld than mild steel or stainless steel.  I think I enjoy aluminum because it has a natural bright shine to it that finishes well without painting, it is light weight so large pieces can still be easily moved around, it is strong, and it is challenging to weld.  It in itself doesn't necessarily lend itself to happiness, precariousness or impermanence; the pieces have to speak to that.  It is just something I enjoy doing.  

KD:  Tell us about the "well" you draw from for inspiration and design ideas; and along those same lines, share how ideas go from inside your mind to a finished piece.

FM:  You are making this "little interview" very deep but I will give it a try.   Inspirations come from my life, past and present. I think about things that give or gave me joy and why that was.  Often it was a precarious circumstance or it might have been reflective. For instance, as a child I loved to run down hills and I think that love reflected the feeling of tremendous speed I felt while at the same time tetering on a disastrous fall. I have a few pieces that follow that theme (on the stage at Mellwood).   I have always loved to cross a stream by running across rocks that would make for a dry crossing, jumping from one to the next without a planned route.  That is also a precarious feeling that when successful, makes you happy to be alive. I have a piece that portrays this;  it is a child in the act of landing on a rock after jumping.  I tend to notice balances in nature (stable mountains vs rock slides; still ponds vs roaring streams, yoga poses that seem to defy nature or body flexibility, interactions among people that may be conflicts or very harmonious) and I try to put these thoughts into an art piece.  I love to laugh and to make people happy and a few of my "happy man face" pieces as well as my whimsical pieces reflect that feeling.  Sometimes the idea spontaneously lends itself to an art work, sometimes I have to think about how to portray that idea.  I don't know what else to say; life just happens.

 

Tracy Pennington, Madcap Mosaics

 

photo by Deborah Stanley 2011

 

1. Share what you do and WHY?

Tracy Pennington:  I make mosaics. During a difficult time in my life, a counselor suggested I do something artistic as therapy. I wandered around Hobby Lobby looking for something to do. I walked out with a beginner's mosaic kit and some stained glass. I thoroughly enjoyed the making of that first mosaic, and felt a new awakening in my soul. I realized that not only did I like making art, but I MUST make art. I love the mosaic medium because it is a slow, reflective process. I can think and feel my way through the work.

2. Where was your studio located prior to coming to Mellwood? and how do you describe your studio at Mellwood? and what do you enjoy the most about it? (I know this is kinda 3 questions in 1)

Tracy:  I worked in the guest room at our house. The room was crammed with stuff I picked up off the curb that "I was going to do something with", and little shards of glass were flying everywhere while I worked. I also felt guilty when working at home, like I should have been doing housework or spending time with kids instead. My husband suggested I find someplace else to work, and we were thrilled to find Mellwood! My studio is MINE! (said by the mother of 6 children : )) It is my place to come and create, reflect, and listen to my soul.

3. So I take it that upcycling and refashioning are a big part of what you do. Do you look at a curb find and then create a design for it, or do you create a design first and then look for a curb find? How do you go about pulling it all together? (and you look wonderful and peaceful to be the mother of 6!)

Tracy:  It bothers me to see reusable materials going to the landfill, so if I see something I think I can use I pick it up. Sometimes I start with the material and design with it in mind, but more often the stuff just sits around waiting for inspiration to strike.

I have a sketchbook where I get everything off my chest. Some designs never become anything, while others nag me until I follow through. I find a base for the design, prime it, and sketch on it. Then I glue on tiles, glass or wherever else I'm working with. Sometimes I pry them off and rework it. Sometimes I let a half done piece sit around until I can figure out what is wrong with it. When I am happy with the piece, it gets grouted, cleaned up and hung up.

4. What do you want from your art? What would bring you the greatest joy?

Tracy:  My art helps me process hopes and disappointments, trials and triumphs. I want my art to mean something. It is my soul reaching out, asking for understanding..."Do you feel this way?"..."Am I alone in the world?". I feel the greatest joy when I see others connecting with my work...that is the greatest validation to me.

5. What question would you like me to ask the next artist?

Tracy:  I'd like you to ask the next artist....How do you define 'success' as an artist?  

Thanks Karen! Some difficult questions....

To view more of Tracy's artwork and workshop offerings, go here.