Karoda University School of Art

Let's see, I have a lot running through my head this morning.  First, let me go make a pot of coffee and I'll be back.

I'm back, but not with coffee but a mug of lemon ginger tea.  This past Sunday I wrote out a curriculum for studio time.  I've done this several times before and although I rarely complete the course, it is due to me jumping off onto my own rhythms.  Having a curriculum brings intent and focus instead of waking up every morning undecided and loosely hodge podging something together for the day that doesn't continue the next day.

On Monday I woke up with a upper respiratory and throat irritation and was in bed most of the day.  Today I'm feeling better and am ready to begin.  Here is what I'm going to focus on:

• Free Motion Quilting (FMQ) and Zentangles (I see these as complimentary) and will use Leah Day's videos as a resource and the book Zentangle A Day by Beckah Krahula
• Piecing: Expanding the Basics by Ruth McDowell
• The Crocheter's Skill-building Workshop by Dora Ohrenstein
• Mixed Media Portraits by Pamela Carricker

When I did this before I called it Learning Curves.  I think I'll call it Karoda University School of Art.

I've divided my days into AM and PM segments leaving room for experimenting and deep porch sitting.  For May, I'll do gel plate printing and just as soon as I finish typing this and playing a few rounds of Puzzly Words, I'm going to mix up the ingredients for the plate.  I'm making one that will be plasticized.  It doesn't have to be kept in the fridge and is pretty much permanent.  I've only made the one which has to be kept in the fridge so I'll let you know how it turns out.  

I've also been rolling around the idea of starting a YouTube channel for crochet and with some art quilting thrown in.  Since the Hubster can't stop watching MSNBC, (has this not been the most grueling, painful, and LONGEST campaign season ever?!!!  This is the one that has broken me of calling myself a political junkie; although I've turned my sights to following our evil minion of a governor....the first Pub in 40 years and boy is he all of a mess up one side and down the other)  (that was a pretty long interjection in this sentence) I've taken up watching YouTube videos.  Most of them are yarn head type videos and there are tons of them with knitters.  Not enough crocheters and its been a while since I've had a tech challenge (Mo and Ade would say I'm challenged by using my smart phone, but I beg to differ).  And it seems like another way of putting myself out there for a chance to connect with folks who share the same interests and renew some presentation skills that have languished since I've been out of the world of employment now.  I really have a lot of time on my hands and I have everything I need to create the art I want to create.   It is a miracle after all the years of working 2-3 jobs and 60-70 hour work weeks.  

I'm listening to a pretty cool podcast called Crafty Planner.  I started from episode 1 and am up to 17.  She has focused on diversity within the Modern Quilt movement and I've been introduced to some pretty hip young women and men.  It is good studio listening.  Check it out.  

And in closing...Alonzo Davis sent me an email yesterday saying our collaborative piece received a red dot!!!!!!  That did my heart good!

Keep Swinging

Here it is the first week into February and I've not committed to goals for 2014 for the Chitlin' Circuit Studio. I've ruled out taking any major workshops this year even though Dorothy Caldwell and Jane Dunnewold will be giving workshops here locally.  I know, I know.  How fabulous...but it is not showing up cowrie shells, or tea leaves.

My focus is getting through winter and I must recognize that I'm doing better than previous winters.  My granddaughter is back in the hospital and has been there this time since Monday of last week.  She is 3 and quite spirited and mature for what she is experiencing.  The medical team is quite encouraged by her energy for the pulmonary diagnosis she has.  I'm encouraged and can't wait til she is well.  In March we're, well she, will start ballet.

Back to this goal-setting.  The first quilt study inspired by the novel Sula is prepared for quilting -

the heads have since been painted in.

I'm not sure I will do a study for each one...the next one up is The Bluest Eye.  What I'm hoping for this series is to teach myself to narrow the focus of the techniques I use.  But to recognize my own growth to this point, the idea to do these quilts came to me way back, like in '06 or '07, but didn't feel at that time I had the skill and confidence to go beyond just thinking about it.  I'm now at the point where my confidence is not intimidated by attempting it and I hope to learn something about myself at the end of this year.  My goal is to have 3 or 4 finished.

I will continue with this series as my main focus for "making" but will have other works going on between these quilts.

For my learning curve, my focus is doing Zentangles.  I've been looking at the zentangles and quilt lines of Nysha Nelson for awhile now and thought I've finally get down to trying them myself for the purpose of broadening my free-motion quilting ideas.

this is Day 1, working through the book One Zentangle A Day (6 weeks total)

My reading material will be continuing to read and re-read books on art and marketing to assist with the co-op gallery (current book is New Market for Artists which focuses on online markets) and do 1 day a week for gallery coverage.  I'm also, re-reading the novels of Morrison (Beloved is the current book) and will begin reading through the books that I have from the David Driskell Series (started the one on Keith Morrison last week).

And lastly, in light of missing a recent deadline for a juried exhibit, I want to submit to 4 shows (yet to be identified) this year.

In the words of Hank Aaron, I'm going to "just keep swinging".

Peace,

Take 2

Joining The Kore Gallery at the end of January necessitates a do-over for 2013 goals.

The Kore Gallery:

• Keep a minimum of 5 pieces in the gallery
• Take gallery photos bi-weekly
• Maintain FB page
• Develop website

The Chitlin' Circuit Studio:

--> Complete Access to Market (A2M )

          Business Plan
          Personal Website
--> Complete 10 new pieces
          2 Crowbonics
          2 portraiture
          2 Graffiti quilts
          2 inspired by Toni Morrison novels (Bluest Eye, Sula)
          2 Boat
--> Complete 20 small pieces
--> Maintain spread sheets on time, expenses, sales, etc.
--> Submit to 4 shows
--> 2 Outreach art activities
--> Continue Learning Curve (working through books/online workshops)

For the month of January I was in the studio 16 days for approx. 77 hours with approx. 12 of those hours engaged in socializing with other artists.

Additionally, I attended the 2nd glass for A2M. It was on pricing and left me with worksheets to complete.  I surmise it will take me 2 months to get them done.

I did not complete any quilts but started 2 new ones and have 1 in last stages of completion.  Some time was devoted to transferring images to fabric but no clear direction for using them, but leaning toward decorative pillows but not a high priority.  Piddled with reverse applique.

What I did not get completed but should have was meeting the deadline for Form Not Function Entry and submitting some paperwork for an independent exhibit I have already sent the quilt to curated by Carolyn Mazloomi.  The hang-up was getting my work photographed for for the former and not being able to lay my hands on measurements on the quilt I've sent for the other.

Objectives for this coming week in order of priority:

• complete paperwork mentioned above.
• complete mid-wife quilt
• baste a quilt
• start zentangle workbook
• start Digital Elements by Gloria Hansen

XX (graffiti quilt in progress)

Let's Barter...I have this...you have _________

The temperature dropped to 12F 2 nights ago and the high was in the low 20s.  I'm taking it in stride but today, right after I pick up my grandson from school, I'm going to the studio...it is currently 34 degrees.  After the studio, I'm heading to the gym for a mile walk on the treadmill.  Mo, has renewed our membership so I've been going 3 times a week. I lay my portable oxygen on the floor and do a quick start on the treadmill at 0 incline but going from 1.5 to 2.2 on speed...I'm able to get a mile in at 40 minutes or less.  I'm thinking about adding water aerobics in the spring or even yoga. But first I want to keep up this routine of going regularly. 

The Mid-wife didn't get stretched.  I damp stretch my quilts on the carpet in the living room and my grand kids are with us at night and sleep on the pull out couch which prevents me from stretching the quilt and allowing it to dry.  

The other night I was thinking that I never shared how The Mid-Wife quilt came to be.  I will in a few weeks, after I finish it, but I can't right now.  I've put a note to myself to remember to do this mid-February.  

I am finished with Secrets of Digital Quilting by Lura Schwarz Smith and Kerby C. Smith.  Doing the projects in the book didn't interest me.  What I found the most valuable was the digital filing system for working with images and the argument  for shooting photos in RAW format.  The 3 files, original, master, and target are organization tools I'm going to work with from this point forward.  It is too daunting a task to do this to the photo files I already have.  Shooting in RAW captures and retains more of the image in without compressing the image...it takes up more storage but if I have an image I want to continue to work with...because each time an image is opened and saved in jpeg (a compressed file) there is some digital loss in the image...probably not readily apparent to the naked eye but over the long haul it with repeated use, it could make it harder to get a rich image on cloth.  

The images I printed out, I'm wanting to make pillows with them so I've talked to Stephanie who has made pillows with her woven cloth and have of course did the google search.  I haven't ordered any pillow forms yet...and am thinking I just need to do the first few with polyester filled pillows to see how it goes before ordering down/feather forms.  

I printed the bottom on cotton and the top on organza and over laid them.  This will be my first pillow.

Now, let's barter...this year I'm about checking my spending and using the tools I've already invested in and not keeping things I know I'm done with.  Keep in mind, I'm fairly easy,...I'd like to trade Secrets of Digital Quilting along with the Fall issue 2012 of Fiber Art Now.  email me at seamless_skin at yahoo dot com and let me know what you have to exchange.  If you want an idea of things I might like...here ya go...fancy napkins, foam for making stamps, paints, mediums, painting knives, bead storage boxes, other books, silk scraps, adhesives, scrapbooking paper, tissue paper, paint, dye, crayons, a flat griddle, videos...just name it.

We made it babee! The grace of another year!

This will be my 3rd year in a row to give "learning curves" (reading and following exercises with daily accountability) another attempt.  In previous years I maintained a seperate blog page to share my schedule with any blog visitors who might have been interested in joining me, but then the page tab was haunting me after I abandoned the practice so I deleted it).

The 1st year I thought diversity would be the key to make "learning curves" fun.  The 2nd year I thought a central focus would be the key and I had 4 books all related to digital art.  This year, year number 3, I'm going to limit it to 2 books and keep the digital focus.  I'll decide on which 2 books by Friday, but I'm leaning toward Gloria Hansen's Digital Essentials and Lura Schwarz Smith's Digital Quilting.  

As far as "distractions" I'm adding the Strathmore free workshops to the mix and when I take a notion, the Sketchbook challenge.  I will not be taking any major workshops this year although Jane LaFazio will be coming to the area in the spring and I'm tempted but I do not want to rearrange my plans to accomodate the change in budget.  As it relates to the previous post, my goal is to obtain a larger space at Mellwood or a 2nd smaller space.  The idea space right behind me has once again come open but I'm not ready to take it.  

There are other books I'm working through but I'm not sharing the activities just yet...mainly because the pace depends on how often I get into the studio during the cold weather and they are not imperative as my other goals around creating and finishing a minimum of 5 new large for me quilts along with small-to-medium size pieces prior to Sept. 2013.

My word for last year was jubilation...the experiences that gave me jubilation after they were done and over...namely my mother's surgery last spring and her move...alongside those events, the time spent with Claire and Leslie and seeing my 2nd Quilt National exhibit at the opening weekend with my good friend Bev and the day I spent with sistah-friends Penny in her studio and wooded retreat and Valerie on a day the Lord held us together.  

My drive word this year will be tenacity!   

Learning Curves, Week 4

Learning Curves is getting back on track after Thanksgiving week.  I made it to class (class is how I'm referring to each book I'm working with in the Learning Curves) but not on the days designated.  Like today (Thursday, 12/02/10, the day of this writing) I'm working with all 3 books on digital art.  I have continued to reference Visual Language (Benn & Morgan) in creating lines and shapes.  The 2 images above are small cloth samples.  On the top one I cut out random shapes from book-cover plastic (similar to contact paper) and stuck it on the fabric to use as a resist and then dye painted over it. The image directly above is with the plastic removed and then dye painted in the white areas.  The cloth sample has been washed out and dried here.

The Image Transfer Class (McElroy) didn't go this week.  I did order the Transfer Artist Paper and its on its way and succumbed to a Lutradur purchase.  I have 3 weights of it and the extra light offers the highest appeal...I'm thinking it would pair well with silk organza in a statement on transparency or where transparency could impact the overall visual.

********

Jane Dunnewold will be here the end of January and will have a show at the Hite Gallery on University of Louisville's campus and is preparing new work for the show.  Here, on Jane's blog, you can see how she has written and defined the parameters for her forthcoming works. Here is Jane's schedule for her Louisville agenda. 

When I'm stuck on a piece, I pick up a journal and begin to ask questions and provide answers while actually sitting in front of the quilt/fabric.  When I first started doing this I was going to dedicate a journal by year, then by the series, then by location...but what I really do is just pick up whatever journal is close by, thus loosing continuity in writing about specific pieces and making it difficult to have the writing become reference material because my notes are spread throughout journals.  The one dedicated journal I have is a technique journal that I glue I glue samples into rather than how the designing of a quilt and the message of the quilt are related and what I did to get there. 

 I washed out the last of the fabrics I've been layering (images directly above).   Dunnewold limits the variables in order to self-impose focus and I'm going to join her in this journey for the next couple of weeks as I return to Crowbonics.  My next post will go into details.

 

Learning Curves, Fall, Week 3

Monday:  I skipped class today and instead cleaned up images in Photoshop and then headed to The Basement and made several thermofaxes for printing.  The images came from the homework in Visual Languages (Benn & Morgan) on negative and positive space.

Also, I browsed through an older journal looking at my face sketches and discovered I was partial to sketching faces with the eyes closed.  I selected one that I would like to work with on cloth and will make some samples for painting and stitching.

Tuesday:  Woke up with a scratchy throat and apprehension and vulnerability...for years more than I care to count up, the week after TG marks the season of bronchitis/pnuemonia.  The unseasonable warm temps paired with sudden drops in temps is what my great grandmama called "fooler weather" and always admonished me to "wrap up" or at least put something on my head and around my neck.  In my youth though, in spite of the chronic asthma and sarcodosis in my lungs at the time, I still felt I had mind over matter and the benefit of my youthful energy that I didn't feel pressed to adhere to her folk wisdoms.  But as my mother still says "a hard head makes a soft behind".  

My goal is always to get through winter without being hospitalized.  I think my record since the early 80's is 2.5-3 years straight without having a hospital stay.  (So you can begin to understand or be reminded of my dislike of winter months.) 

Image Transfer (McElroy) is the on the agenda for today.  Since I'm still waiting to order some transfer mediums, I'm only going to read.

After Tuesday:  I just blew the rest of the week off and will begin again on Monday, the 29th.

The next Artist Interview is scheduled for posting on December 1st.  The Artist is Penny Sisto.

Learning Curves, Fall, Week 2

Monday:  I was not consciously in my art mind today but when I stopped by the studio to drop some things off, I plopped down and surveyed the room I left last week and tried to think about what processes needed to be done to which fabrics.  Feeling defeated, I dug out some black construction paper and begin cutting shapes out.  This is an exercise from Finding Your Own Visual Language (Benn, Morgan).  Image Transfer is on the agenda tomorrow.  

Tuesday:  The studio didn't happen. First, I had trouble getting out of the house, damp, wet, cold weather aggravates my mobility and breathing but did make it and after taking care of some business with my mother, I headed to Mellwood.  Made 2 attempts in heavy rain to get me and my stuff (I'm always carrying stuff from one point to another) gathered up to walk the 40 miles across the parking lot, I felt defeated and came on home.   Once back home, I reviewed the lessons for tomorrow's Learning Curve and watched Ricky Tims dvd on machine quilting.  Tims' method look cumbersome but worth it when decorative stitching is a definitive element.

Wednesday:  The chapter on Color Management (Hansen) woke up lots of dormant brain cells.  I spent one hour reading in front of the computer with PS Elements open...changed my computer monitor from a bright lime green to a neutral gray background as she advised and looked at color calibration devices on Amazon.  The prices are prohibitive and although all this is leading to wanting to create digital art into textiles, I'll have to work with what I have first to see where it lands inside my spirit.  This will be dinner conversation with Peter today.

Thursday:  LAFTA meeting was so inspiring that I left there and spent and hour in the studio just to touch up on the four small pieces pinned to the print table.  The piece below I painted in the white spaces with blue and red but I think the values will be too dark.  Will consider going back in with discharge paste.

Friday:  I'm getting ready to spend a few hours working from Digital Expressions (Tuttle).  The author provides a CD of images for working through the book as an option. The Madonna and Child are from Wikipedia and copyright free and the man is off the CD that comes with the book. 

1st attempt didn't quite understand, 2nd attempt with Tuttle's image, and 3rd attempt w/ better understanding.

 

MY THOUGHTS ON HOLIDAYS

Next week is Thanksgiving and next Friday is the onslaught of shopper's day.  F.A.T. Friday will be an all day affair and I'm planning to be in my studio for the anticipated foot traffic.  I said I was going to do more holiday themed post cards since they move really well for me and I'll string some lights in my studio window, but honestly the holidays always feel like "peer pressure" to me and I've yet to convince Peter of retreating during them...but for me, personally, I'd like nothing better than to go to spend them in a cabin, lodge, in the mountains or at the edge of a body of water surround by nature, mutual love with family and good food, music, good movies, and an all day Scrabble tournament.  That would be holiday bliss.  Most of these things do describe what we do except for the change in scenery.  As much as I'm an urban woman, sometimes the sights and sounds are an onslaught to my senses...and I feel it most around holidays, even when I was a child I was weird about holidays.  What I remember loving the most is basking in the fun of family get-togethers for what seemed to me, no apparent reason...it was just what one did on the weekends.  I'm kinda half-way recalling a theory by John Blassingame who attributed survival through the harshest conditions and  the flourish of creativity by what occurred in the few hours of down time and gatherings in the slave quarters away from the watchful eyes of overseers.  In some strange way that makes me feel off-center, holidays feel intrusive and like those watchful eyes trying to market my soul.

Peace,

Embracing the Season

In attempts to embrace the changing season I'm changing my routine to reduce my going in and out as much...appointing days to dedicate to learning and being in either the studio or workshops.  Warmer temps encourages me to work more fluidly than the colder temps. The colder temps encourage to stay put and focus even more.       

I'm re-committing to Learning Curves, my self-directed education program.  There is a tab at the top of the blog if you want to see which books I'm using.

I'm listening to Charlie Rose and noted panel discussing the works of Romare Bearden...here is the link...

 Romare Bearden

Also, would anyone like to have this book?  It is a small booklet of 31 pages with about 10 or so different projects like cell phone covers, basket liners, book covers, etc.  No drawing, just the first to want it in the comments will get it.

Taming Listlessness

While I'm typing this, Ade and Peter are intensely discussing NBA players and teams...they are always on opposite sides of the argument when it comes to sports, each one talking rapidly and overlapping speech...some father-son bonding ritual that gives me a headache.  In earlier days this would take place on some nearby street corner or neighborhood pub or some garage...but at the kitchen table over coffee and cereal seems invasive to my head.  I'm recalling a lecture given by bell hooks to architecture students (i crashed the lecture) that theorized to what extent outdoor and indoor spaces where claimed by gender. 

I woke up very early and sat on the balcony surrounded by Peter's tomato jungle and watched a teeny tiny spider bounce up and down, little by little, off of a vine, but I'm feeling listless.  To settle myself I printied on the fabrics that were soaked in the Bubblejet and Golden Digital Grounds that I mentioned previously...as I sip gulp my coffee I"ll upload the comparisons...hold on.

Visually, the difference is negligible .  The Digital Ground image is a little sharper and it makes the paper feel and behave more like art paper instead of cloth, stiffer but breathable, unlike using a gel medium.  Between the 2, my perference is the cloth with the digital grounds for the feel of it.  These are on cotton.

Last summer, sister blogger Marie, shared her results. (Click on her name to see.)

Daddy's service and beautiful and a sweet but short family gathering.  I loved two of the stories shared by one of his CB buddies, a Rev. Woods, who has lived in Michigan for the last eleven years and just so happened to be in Louisville for a family reunion.  He shared how my father, some decades ago, got him started with his CB passion and how much he loved talking to my father, Groundhog, via the radio.  The other older gentleman, told a railroad story and its what he left out that made the story even funnier for those who knew him.

I dreamt about him last night...he was dressed in the suit we buried him in but was in front of the casket carrying it with the 6 pallbearers.  He was walking down Broadway and when he passed 26th street he turned into this huge rugged field of gold and green patches of grass.  It was midday and my father was taking firm steps and said "people need to understand that patience is needed in times like these".  There was a huge, huge crowd waiting for him and cleared a path for him to enter a white building that sat back and off to the side in the field.  I arrived in a limo but had gotten off of work and into the crowd and was hoping that no one would recognize me.  I fell in step behind the casket after my father arrived.  I remember having the feeling that I wanted to blend in with the crowd but I wasn't a part of the crowd. 

When I awoke I thought, its just like Daddy to find something to do to keep him busy. :) 

The hugs and prayers are appreciated very much. 

Do I speak a languid language?

I'm getting close to believing that pre-planning induces a deeper anxiety in me.  I didn't know that I'd end up with such a long stretch of time in The Basement, but I did.  Flowing from one thing to another worked for me today.  Just pick up something and go with it flow is what I did.   While there I did some exercises from Finding Your Own Visual Language and Image Transfer Workshop...

The transfer techniques involved allowing the image to dry completely in the gel medium and then spritzing with water and rubbing off.  If a solid filled image is important to the outcome then the culprit can be air pockets in spite of burnishing the back to get a good adhesion.  The larger image is on stretched canvas and the small image is a page inside a moleskin journal.  The desert image was a magazine photo and the crow was a laser printed on common printer paper.  Again, a techique that I'll relegate to altered books.

And right before I left I did this collage with some ink-jet printed fabrics that I'm in love with...instead of using them for some heavy message ladened art quilt, I just cut them into squares and rectangles and put them back together again.  Now I want to print off more of the same fabrics and just keep rearranging them into collages.  Ade, my youngest, called it "languid"...he meant it as a compliment...no, really, honest to goodness, he did...I think this is what I will title it.

And I'm lacking vim and vigor also, soooooo I'm taking my languid self to bed...Peace...

Gel Transfers using ink-jet images.

The transfer technique using gel medium is too unpredictable. I transfered onto paper, cotton, and a stretched canvas.The application of gel medium leans toward a thicker application then I expected in order to get a better transfer.  In this case, for the outcome, the use of materials seems a waste.  This technique gets moved over to altered books, fabric postcards at best.

I'm now trying a similiar image with a magazine page and a toner-based imageon paper and the stretched canvas.