Loving Life...

The months June and July 2013 will go down in my personal history as an emotional smorgasbord.  I already referenced June in the post about my cousin visiting and selling 2 pieces of art.  (a couple of posts below) 

With my Mother, children and grandchildren, we visited my father's gravesite on the 3rd anniversary of his death.  For me, it was my first visit.  So many thoughts were tied into the visit...looking at a headstone with my Mother's name on it even though she is still with us while being present with my children and grandchildren made me think of hope and dreams, dreams materialized, un-materialized, and dreams on the way of becoming.

Then there was the verdict.  The verdict.  The verdict.  It sits in the stomach. 

The end of the month we took a day trip to the Children's Museum in Indy.  Seven of us, four generations riding in a van. 

Indianapolis Children's Museum

I also married my Partner of 27 years!  I couldn't have done this 25, 20, or even 15 years ago due to my perspective on marriage as an institution combined with my own hypocrisy I experienced from my first marriage at the age of 20.  I think somewhere I read, heard Ms Maya Angelou say, a woman isn't fully grown until she is at least 40.  The last 13 years has been an opening of clarity about what love is and isn't for me.  This was the year the conversation changed for us both...instead of "we'll get around to it" it turned into "let us do this and do it now".  And although I can't name it now, it does feel like we're seeing with new eyes and wearing new skin since we jumped over the broom.

We took a brief getaway to Yellow Springs, Ohio with stops in Athens to see Quilt National 13 and Cincy to Saint Theresa's Textile Trove inside Pendleton Art Center and Krohn's Conservatory, and to the Air Force Museum in Dayton.  The breath of fresh air had me itching to return to my studio. 

National Air Force Museum in Dayton, Ohio

Krohn's Conservatory in Cincinnati, Ohio

Studio work July/August 2013



Accountability Sunday

or should I say 'back on track'.  One fourth of the way through this year and I was thrown off track by the move of the studio, illness, and a busted laptop where I tracked my goals for the year in Excel.  I'm feeling well, studio is in place, laptop still busted.  Oh, and so far, the only casualty from the move is a misplaced iPod. 

I gallery sat for 10 hours and was in the studio for 9 hours sewing on bottom sleeves on some quilts for more stability in hanging.  Here are snapshots from my space...

comfy chair

curtain of shells

front room rearranged already

print/cutting table/ironing/shelves

stabilizers/wax papers/fusibles/freezer paper/ etc

misc.

Some of these quilts will eventually move over to the co-op gallery.  When I unrolled what I'm calling the doorway quilt, I realized it was too small and underwhelming.  I was able to catch the IQS-Cincinnati on Saturday and the SAQA exhibit Seasonal Palette wowed me.  For one, the impact of the size and the consistency of them hanging hit me!  They all were 32"x78".  For a passageway to have it's impact on the viewer, I want to offer the feeling that you can walk through it and unless it is a doorway for small children, of which it is not, its not working.  I'm going to complete it though and try to recreate something similar in the fall.  The doorway quilt in on the far right in the snap shot below.

This coming Friday is the Derby @  Mellwood and Schalfy Trolley Hop for FAT Friday.  Come out and park your car at Mellwood (plenty of free parking) and check out the Male High School trios and over 200 pieces of art throughout the Center. Chris Mudd will be playing light jazz on the keyboards inside the Kore Gallery and Jisun Mudd, his mother and one of the featured artists will be present also.  See the update here.

When May begins, I'm going to begin dyeing, marbling, printing and painting fabrics for the summer as my main focus.  The quilts that I'll make will be small ones that I'll wrap about a canvas frame.

WOW! will have to be sufficient.

This is the part where I'm suppose to write something coherent about my week with Claire and Leslie at The Crow Barn.  A very rare occasion that words seem insufficient.  

I have to acknowledge that all my fears and anxieties proved unnecessary!  I stayed well and am still well!  My stamina held until about Thursday when I began to slow down but still it was a full and amazing week for me! And every personal snafu that presented itself worked out smoothly for me which added to the joy and productivity.

I really don't even have adequate photos to convey the week I had because stopping to take photos was an inconvenience and using the camera rarely entered my mine but here are a few:

This is the beginning of a new cloth and a picture of my print table. The bottom photo on the right is me presenting my review to the rest of the group on closing day.  My 2 goals where to create a palette inspired by a painting of Barbara Earl Thomas and end the week with paper lamination.  I came very close to the palette and will continue to work with it here at home.  One of the paper laminations didn't turn out. I used too much medium and I think my print table was too soft...at least it was softer then my own.  The other is destined for greatness!  

I have to give a shout out to my girl Bev, who came to my rescue.  Over an hour from home and close to Cincy, Mo calls to tell me I left my silk screens.  Bev lives just east of Cincy so I called her to ask where I could pick up some screens...and Bev, being Bev, had a friend, etc.  She met me off the highway with 3 screens that she cleaned up for me!  Thank you for the blessing Bev!

Later in the week Bev, and Kel who lives 15 minutes from the Barn, came up Thursday after dinner and I gave them a quick tour of the Barn and then on Saturday Bev (an artist but not textiles (YET)) went to Athens to view Quilt National!  The treats within the treat was seeing Olga Norris' and Judy Martin's work in person.  I think Olga captures bodily gestures like nobody's business and Judy meshes hand work and philosophy so gracefully. I identify with it somewhat but moreso, am mesmerized by it.  However the one quilt that I would have taken home with me if I could was Vera Loves Her Gun by B. Michele Maynard.  The sole factor was it's ability to make me laugh out loud and the strong narrative it held.  I stood there in front of this quilt trying to concoct a story and laughing in between.

I've almost got everything put back in place in the studio but I'm also not waiting.  I've made up 8 quarts  of print paste,different recipes and varying thicknesses.  Soda soaked fabric was left on the line to dry yesterday and I'm going in later today to over-paint with thickened dyes.  My aha moment was being able to see where already dyed and over-dyed cloth still has room to take more dye.  It was most apparent to me while ironing the cloth.

In addition to painting, I'm hand stitching Primordial. The base is silk paper to felt.

 

Friends and Family

Acey asked to see the beads I purchased in Athens...here is my lot along with head shots of the fantastic women I shared the trip with.  We've kicked around art collaborative ideas for years and one of these days despite the hundreds of miles that seperate each of us, we'll pull something off and it will be first and foremost FUN as well as a unique project that reflects each of us and our shared friendship going on about ten years. 

 

While in Athens I purchased af book written by Zakes Mda, a South African and a professor at Ohio University.  The title, Cion, a novel, involves a South African who relocates to Ohio, USA and travels history by way of learning about quilts.  Ron and Crystal heard him speak at the Antioch Writer's Conference and knew I would be intrigued.  After seeing the cover of the book I realized I had this book in my 45 page Amazon wish list simply because the art that adorns his books is strongly appealing.  Rudy gutierrez is the illustrator for what appears to be all of Mda's novels which I haven't started on yet.  My current fiction read is A'mercy by Toni Morrison and I'm not sure which I'll dive into next. 

We (Peter and Ade) did an impromptu drive today to Utica, Indiana along the river to go to Hidden Hill Farm and Nursery.  It was our first time there and it is a great place to hang out and chill.  It is owned by retired journalist from our local paper, Bob HIll...he was kind enough to dig up and give me flowers that have mystified me for about a year or more...they are called "naked ladies" and are in the amaryllis family.  I'm going to plant them in my mother's yard. (ssshhhh, she doesn't know it yet).  When ever I see these flowers they always get my attention and make me smile.  I'll get a photo after I plant them.  I also picked up a new mug for tea (I use smaller mugs for tea...coffee demands a heftier mug).  I think we'll return, there was so much to take in and absorb.

Groovy People

Recall Lou Rawls singing that song, Groovy People?  It describes my time spent in Athens, Ohio and an impromptu visit into Yellow Springs with 3 good friends.  My brother and his partner, Crystal, have been telling me about Yellow Springs for a few years.  I left here on Thursday for Athens thinking that Yellow Springs was on the opposite side of Cincy and out of the way.  I picked my friend Bev up and the first thing out of her mouth was "would you be interested in going to Yellow Springs?"  A quick flash of Thelma and Louise in my head and the answer was yes.  Yellow Springs was too short but we did make a couple of gallery connections thanks to Bev come what may marketing style.  Bev is not a fiber/textile/quilter but she is a highly imaginative artist who works in several mediums.

We arrived in Athens Thursday night and just chilled out.  On Friday, Kel, clay artist who is currently working in precious metal clay, and Dee, masterful story teller and poet joined us on Friday.  Whenever we're together there is always plenty of gab and laughter.  Family, art, health, politics, movies, tv, work, books, the usual.

Friday's highlight was the bead shop Kel took us too and it was a pretty damn awesome shop with wonderful customer service (the shops here leave me cold when it comes to customer service) and the diversity of items this bead shop has is lacking in Louisville shops.  I'd have to run around 3 shops locally to find half of what this shop had in inventory. 

Saturday morning we spent hours at The Diary Barn oohing and ahhhing...After the first round of viewing Bev had us go back around and pick our favorites for 4 catergories...of course I took notes but since then, they are lost...but from what I'm recalling, I had selected these 3 for the 3 of the 4 categories (can't remember them either):  Tunicates 1 by Andree Fredette, Nothing to Fear by Susan Else, and Architectural Squares by Christine Tedesco.  As a group we spent a considerable time in discussion on Africa Scarified IV by Sue Ackerman, Ruffled by Jessica Jones, Communicating with the Past by Aaron McIntosh, Little Fish in a Big City by Kathy York, Nothing to Fear by Susan Else, Quilt Drawing #9 by Daphne Taylor, When Nature and Industry Collide by Christine Milton, and one that I thought was entitled Eating Roses that made a direct feminist statement but I do not see it on the QN page.

Bev most frequent question was "what makes this a quilt?" and pushed the question about what materials she could use to push the definition further from the center and toward the edge.  Sunday morning Bev posed the question to us about which quilt was still the most memorable and for me it was Nothing to Fear by Susan Else (at the base of my memory lies humour), for Kel it was Ontario Quest Triptych, for Dee it was Ruffled by Jessica Jones, and for Bev it was Quilt Drawing #9 by Daphne Taylor.  

I did not buy the book but I'm trying to recall 3 quilts...one was done in shades of gray and had a pyramid and a cross as motifs and the other was a close-up portrait (small size) of a friend who passed away from cancer and another portrait (large size) done in yo-yos that had been painted over...if anyone can tell me the names of these 3 pieces it would be appreciated.

The bead shop is in a house in a residential looking neighborhood off the path of downtown Athens but close by a church turned art center.  Another must stop gallery is Passion Works Studio which is a studio/gallery of works by disabled and non-disabled artists.  Having been intimately involved with the start-up of a similiar group in New Albany, Indiana, I'm always most interested in artists who are disabled as well as how arts programs reach out to non-traditional audiences.  The highlight of dining was The Star of India which was right across from a Mexican restaurant that we ate at the day before.  This is the only photo that immediately struck me for a blog post since photos are not permitted of QN. 

This is turning out to be a season of opportunity...I'm considering an invitation to do some demo'ing at a gallery in Yellow Springs along with showing some of my work during gallery hop night...just have to weigh the initial investment cost over exposure and potential sales.  Also, Lisa Engelbrecht, author of Modern Mark Making will be here in October leading a 2 day workshop, and I'm going to be a resource artist for Kentucky Foundation for Women August 6 in Elizabethtown, Kentucky...for more info, go to their website at www.kfw.org . 

As far as taking time to rent studio space to dye fabric for a month, I'm now undecided...just have to repriortize.  Is this the time to place my resources in process and materials, education, or exposure???  I'm giving myself 10 days to weigh it and will then make my decision.

Newport Aquarium 2008

Every couple of years we seem to find ourselves at the Newport Aquarium...we seem to never tire of it and we've been going as a family since the kids were in elementary school and then we maintained an annual membership because we went so frequently.  I was surprised that Mo and Ade wanted to return.  Peter took these photos as I decided not to lug the camera around this time.

 

 

 

 

 

Some of the most unique creatures can be found among nature, uh?!