Monday, April 29, 2013

And she's off....

to the studio and readying for Derby Dye Fever!  Today I prepped for marbling, dye painting and screening, and will add painting on silk in my experimenting for the month of May.  I made 3 strengths of sodium alginate thickener, 1 for painting, 1 for screen printing, and another for breakdown printing should the weather outside get hot enough this month.  I also made up a batch of Alum and marbling size using metho-cyl.  Last year I used carrageen for the size and had a time with getting the paints to float and I used everything from fluid acrylics, inks, air brush paints, to prepared paints for marbling.  I did get some good results but still had a lot of loss of paint that sunk to the bottom of the tray.

I use a blender to mix my urea water and thickner.
3 strengths of thickener from sodium alginate (seaweed derivative)
 
Since my fabrics have been sitting for awhile, I decided to scour them again to remove dust,...a combination of various pfd (preferred for dyeing) silks and cottons.  The silks are washing as I type.
 

 

 

 
 
 
This past week I was at the studio and gallery for a combined total of 19 hours.  On Saturday I did a demo for my ART Going Postal(c) postcards while gallery sitting.  The visitors were few but I enjoyed the company and conversation of fellow artist Dennis Shaffner
 



 
 
I haven't made new postcards in years.  I used designer silk fabrics from a sample book.  I'm going to make these as warm-up exercises on a weekly basis until I exhaust the fabrics.

Poetic touch stones have filled by day...started last night with Proclamations of Forgiveness by Estella Majozo.  This morning Cherryl Floyd-Miller shared the link to this poem by Naomi Shihab Nye. And the radio show On Being posted this poem on their FB status and I ended up listening to the podcast.  I'm still feeling strong and joyous...gonna ride this vibe as far as I can!  Peace!

3 comments:

  1. Ok, so why do you need three different thicknesses? I don't paint with dyes but I do use the same print paste thickneww sor regular and deconstructed. I'm curious.

    ReplyDelete
    Replies
    1. Rayna, for direct hand painting I like it more fluid than for desconstructed and not as thick and not as thin for screen printing. I use to make up one large thick batch and then thin with urea water as needed but this way when I'm ready to use it, it is ready and I don't need to remix for whichever application. When I desconstruct, that print paste is thick and I get LOTS of pulls with it.

      Delete
    2. Also, it is easier to switch around techniques when I'm layering designs on the cloth.

      Delete

Swatching it!

Well, well, well...look who is swatching!  The plan (here goes...) is to knit my grand daughter a sweater.  This will be my first knitted ...