Monday, April 29, 2013

And she's off....

to the studio and readying for Derby Dye Fever!  Today I prepped for marbling, dye painting and screening, and will add painting on silk in my experimenting for the month of May.  I made 3 strengths of sodium alginate thickener, 1 for painting, 1 for screen printing, and another for breakdown printing should the weather outside get hot enough this month.  I also made up a batch of Alum and marbling size using metho-cyl.  Last year I used carrageen for the size and had a time with getting the paints to float and I used everything from fluid acrylics, inks, air brush paints, to prepared paints for marbling.  I did get some good results but still had a lot of loss of paint that sunk to the bottom of the tray.

I use a blender to mix my urea water and thickner.
3 strengths of thickener from sodium alginate (seaweed derivative)
 
Since my fabrics have been sitting for awhile, I decided to scour them again to remove dust,...a combination of various pfd (preferred for dyeing) silks and cottons.  The silks are washing as I type.
 

 

 

 
 
 
This past week I was at the studio and gallery for a combined total of 19 hours.  On Saturday I did a demo for my ART Going Postal(c) postcards while gallery sitting.  The visitors were few but I enjoyed the company and conversation of fellow artist Dennis Shaffner
 



 
 
I haven't made new postcards in years.  I used designer silk fabrics from a sample book.  I'm going to make these as warm-up exercises on a weekly basis until I exhaust the fabrics.

Poetic touch stones have filled by day...started last night with Proclamations of Forgiveness by Estella Majozo.  This morning Cherryl Floyd-Miller shared the link to this poem by Naomi Shihab Nye. And the radio show On Being posted this poem on their FB status and I ended up listening to the podcast.  I'm still feeling strong and joyous...gonna ride this vibe as far as I can!  Peace!

3 comments:

  1. Ok, so why do you need three different thicknesses? I don't paint with dyes but I do use the same print paste thickneww sor regular and deconstructed. I'm curious.

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    1. Rayna, for direct hand painting I like it more fluid than for desconstructed and not as thick and not as thin for screen printing. I use to make up one large thick batch and then thin with urea water as needed but this way when I'm ready to use it, it is ready and I don't need to remix for whichever application. When I desconstruct, that print paste is thick and I get LOTS of pulls with it.

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    2. Also, it is easier to switch around techniques when I'm layering designs on the cloth.

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