In comments to the previous post, Karen made the suggestion of using shear fabric for the auditioned letters...I was thinking transparency in either a sheer or using (the brand of inks I can never spell or say but begins with a t and has the word sun in it) inks.
I also thought about having the letters cast shadows to create even more depth which I think would work because of the glowishness of the yellow in suggesting light. To quote from my lil' brotha's critique, "no...hell, no" on the letters...he thought it was too pretentious. But as he also reminded me, its all up to me in the end, and he is right because the last time I checked I was three times seven and then some.
After more time spent Saturday meditating on it some more, I temporarily decided to wait some more...how profound, uh? But that is all I could do, so with trusting the process, I moved onto a new piece that I wasn't feeling until I added the whiteish lines and then that opened me up to add the faces...there is a line in the poem that goes: African ghosts cry in sunset hours. The faces appear ghost-like and also embody communion/community with the multiple prints.
The metallic-ey green is just too heavy at the top so I do know for sure that this piece will be cut up instead of keeping it a whole panel. The names you see in the bigger letters are names found in the cemetery where many of my mother's side are buried. The underlying poem written on the cloth is about a visit there some 18 years ago. I was newly pregnant with my youngest son then. The poems, the quilts, the children all help me keep and mark time, I don't trust my memory alone.