Have you ever gone back and randomly read your old blog post? I did. The majorest (yeah I know its not a word) difference is I no longer share as much of my day to day thinking and doings and, also, I almost never discuss my family and friends unless we merge in some way on the art making trip. I don't know from reading my blog that you would know I've been partnered to the same fine man for 25 years, that I have 3 grown ass adult children and 3 intelligent grand-children, or that I worked as a social worker for 21 years...you know, all that social-demographic identifiers that people use for introductions and getting to know one another. Whenever I found myself at a social gathering of strangers and was asked the question, "so what do you do?", my standard response was "in relation to what?". I believe that a better intro would be to ask someone what they think about something you care deeply about. For example, "what do you think about mountain top removal?". Even if I don't have a clue, I can say in honesty that I don't know enough about the issue and then here we have a teachable/learnable moment. I tend to remember people who have taught me something more than by what profession they hold. Before I got around to finding out what you did for a living, I would know how you spend your precious time in tending to the heart and soul of you...if that happens to coincide with what you do for a living, then I know its going to be a great conversation because you'd be one of the very fortunate employed people who happen to spend the majority of their time engaged in their passion. I'd like to know first, what you dream about, what gifts are you holding on to until the "perfect" time comes for you to use them before I know about your job and what zip code you live in.
I had no clue that the above was even on my mind until I started typing. What I came here to write about was my participation in 2 online visual journal projects. One is sponsored by Strathmore Journals and the other is The Sketchbook Challenge working alongside 16 groovy (I love it when I can use that word) artists.
Although both are about visual journaling, they are two different pieces of fruit in the same bowl. Here are the 2 pages I started for the Strathmore workshop taught by Pam Carriker.
I plan to add more colour when I can get out to get my watercolours. (Woke up yesterday with a soar sore throat and upper chest inflammation, on another antibiotic and back to staying in). Pam's workshop is about recycling your own art work for journaling. The woman's face I sketched some years ago and the red paper came out of a LAFTA workshop by Debbie Levine on making Paste Papers.
This is my 2nd one in process. This is all paper but the border was a remnant from Penny Sisto's tepee that she replaced. It had been painted and what not, but the actual fabric disappeared into thin air some years ago and all I have is the image I had scanned.
The Sketchbook Challenge is assigned a monthly theme for participants to sketch as often as they wish for the entire month on the theme. January's is HIGHLY PRIZED. I spent a day thinking (really over thinking it) until I realized I don't have to go all esoteric on the subject and just sketch something I place some value on. When that light bulb came on I went to the kitchen cabinet and gathered my 4 favorite cups for drinking coffee, tea, and hot cocoa. Here is the first one that came from Korea in a Ya-Ya exchange with a female solider close to 9 or 10 years ago. I don't remember her name or her Ya-ya name but I adore the tea cup with the lid.
Here is my sketch...
My goal was to focus on lines. Ade thought I should do the shadow so I added it for the 2nd sketch. I bet you'd like to see the actual cup, uh? I'm going to do all the 4 cups and then I'll get photos of the real cups up later.